In AMAL UNBOUND by Aisha Saeed, an academic young girl dreams of becoming a teacher, but is forced into indentured servitude for the wealthy loanshark family which dominates her small Pakistani village.* Heavy stuff for a children’s book, perhaps, but the difficulty of reading it is almost entirely emotional, as broader issues are made vividly concrete: local power dynamics come alive in a tussle over a pomegranate, sophisticated dissonances echo in the division of chores. The inner voice of Amal, her web of familial and neighbourly intimacies, and a strong flavour of village and estate life, are all rendered with remarkable economy. The book insists–to a rather impressive degree–on nuance and humility. If it falters anywhere, it is perhaps that I at least found it hard to be quite as convinced by the hopeful resolution of the book as by the bleakness of the realities it conveys. I also felt that certain narrative threads got a little lost along the way–were the early scenes with Omar, or even Amal’s mother’s post-natal funk, perhaps, destined to go somewhere else? But overall, a powerful volume well worth the time to introduce to children–and while the experiences depicted do not map exactly onto those of live-in domestic workers in Singapore, there are significant parallels which give the book some additional relevance here.
*I see Elena Ferrante in everything now, of course, but the Khans very much put me in mind of the Carraccis and the Solaras; and both Amal’s bookishness and moments of defiance were likewise slightly reminiscent of Lenù and Lila.