I’ve absolutely adored some of what Jo Walton has written, but after the disappointment of MY REAL CHILDREN, I approached THE JUST CITY with trepidation. And while it had originality and humour, and much of its middle section was ambitious and absorbing, I found the denouement – and its implications about the central conflict of the story – a huge letdown. I thought there were immensely interesting conflicts being layered through the key characters – the three viewpoint characters as well as the incipient antagonists, Kebes and Ikaros – but those did not ultimately mature, and in fact Kebes was transformed, unjustly and wastefully into a kind of bathetic caricature of male possessiveness and destructive vengefulness. (Like Gale Hawthorne in THE HUNGER GAMES with all unsympathetic characteristics dialled up to eleven.) There seemed to be so much promise for the carefully laid booby traps for the city (the slave children, the workers, the Noble Lie) to unfold organically and ensnare it in its own logic; but instead it all detonated on the single trigger of Sokrates’ revelations, which arose as abruptly as some gloating villain monologue, and indeed relied on Athene unaccountably (after several hundred pages of barely-there development) assuming that kind of inscrutably villainous role.
I can, however, wholeheartedly recommend Balli Kaur Jaswal’s SUGARBREAD, which I had the very greatly privilege of reading as an advance review copy, and of blurbing. (Thusly: “SUGARBREAD is a warm and wry portrait of childhood, in all its intensity and its confusions, and a deeply satisfying exploration of prejudice, conscience, loyalty and reconciliation.”)